Graphic Design Blog > John Nack on Adobe: Why your Web content will look darker on Snow ...

[John Nack on Adobe] In 2005, leveraging color science research, the movie studios' Digital Cinema Initiative selected a gamma of 2.6 as providing the best perceptual quality for 12-bit cinema projection. Today, few can afford a true Digital Cinema display at home, but as always prices are falling.

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[Geek.com] Snow Leopard and Windows finally share 2.2 gamma setting ...: However, the 2.6 gamma value will make little sense, at least not before prices of true Digital Cinema displays fall within the reach of average consumers, leaving the 2.2 value as a preferred setting for the creation and output of print and web content. Snow Leopard’s change of gamma value will, however, make existing web designs look darker than on previous Mac OS versions because the operating system will automatically adjust all CSS colors and non-managed images to the now darker gamma setting.

[Ethiopian Review] Why your Web content will look darker on Snow Leopard | Ethiopian News: Adobe Principal Scientist Lars Borg provided some perspective. Lars has spent the past 20 years at Adobe defining & driving color management solutions, and lately he's been focused on digital cinema standards.

[BriefingRoom on Broadcast Engineering Magazine] DASHWOOD CINEMA SOLUTIONS ADDS NEW STEREOSCOPIC WORKFLOW TO ...: With Stereo3D Toolbox, artists can easily output their media to a wide range of Stereoscopic 3D formats (side by side, over/under, checkerboard, interlace, anaglyph) as well as manage the demuxing of side by side, interlace and over/under formatting.

[fxguide.com] fxguide quick takes » MAXON Releases New Versions of Cinema4D: CINEMA 4D continues to be recognized worldwide as the 3D digital content creation software of choice by major broadcast networks, design and branding studios and visual production facilities because of its workflow efficiency, blazingly fast rendering speeds and seamless integration into leading compositing applications such as Adobe After Effects, Apple Motion and Final Cut Pro. The list of the broadcast industry’s most widely recognized entities that rely on CINEMA 4D as a creative and technical tool to stay competitive and create groundbreaking graphics campaigns includes Fox, ESPN, NBC, CBS, ABC, BBC, The Discovery Channel, Turner Network Television, The Weather Channel, Perception, Capacity, Protokulture, Imaginary Forces, Troika Design Group, and many others.

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[Layers Magazine] Product Review CINEMA 4D R11 Studio Bundle | Layers Magazine: The bottom line is if you’re heavily into motion graphics with After Effects and Photoshop and want to transition into 3D animation, CINEMA 4D R11 Studio Bundle is definitely the way to go.—Jason Scrivner

[VIDEO TUTORIAL PROGRAM] VIDEO TUTORIAL PROGRAM: Video Tutorial Sony Vegas Studio - Windows ...: Adobe Premiere, Adobe Photoshop, Adobe Fireworks, Adobe Indesign, Adobe After Effect, Adobe Lightroom, Adobe Audition CINEMA 4D, CorelDRAW X4, Web Design, Excel 2007, Sony Vegas Studio

[The Briefing Room] DASHWOOD CINEMA SOLUTIONS ADDS NEW STEREOSCOPIC WORKFLOW TO ...: Express applications. With Stereo3D Toolbox, artists can easily output their media to a wide range of Stereoscopic 3D formats (side by side, over/under, checkerboard, interlace, anaglyph) as well as manage the demuxing of side by side, interlace and over/under formatting. Comprehensive compositing features and capabilities include keyframeable x, y, z-axis convergence, individual left/right eye scale, color correction, selective flip/flop, reframing and “auto scale” compensation.

[WAAPSols.com - Web, Animation and Print Solutions] WAAPSols.com - Web, Animation and Print Solutions ”” Blog ...: a wide range of animation and interactive software including Maya, Mud Box, Motion Builder, Shake, Final Cut Pro, After Effects, and Flash as well as specialized 3D Match Moving and visual effects software such as TrapCode, PFTrack and Maxwell Render; labs also contain multiple suites of dual-boot, Apple G5s and iMacs with Wacom/ Cintiq tablets;

[Video Copilot Blog] VIDEO COPILOT | After Effects Tutorials & Post Production Tools: This isn’t to say Maya  or 3D Max isn’t a good choice, in fact I think these programs and other popular 3D apps are powerful and used by many studios and it’s exciting to see Cinema 4D showing up more and more.  The real truth is that if you understand the world of 3D animation, you can likely transition to whatever program you need to if required.

[Videoguys] Videoguys Blog - 2009 FCPUG SuperMag Issue No. 3: Over the years I have worked across the whole media industry from print design through all digital media to film and there is one thing that crops up time and time again on forums or questions from producers/directors/production managers. That is “What DPI do I use?” or more infuriatingly “What DPI is video?”

[Digital Cameras Are The Way To Preserve Memories] Digital Video Editing | Digital Cameras Are The Way To Preserve ...: Express lacks certain things Pro might have (timecode view, multi-cam editing, Cinema Tools, etc.). Express (list price: $299) is also much cheaper than pro, which, to my knowledge, is only available with Final Cut Studio (list price: $1299).

[ISO50 Blog - The Blog of Scott Hansen] ISO50 Blog - The Blog of Scott Hansen » Blog Archive » Color ...: - The sRGB color space is preferred (/mandatory) for the web, because it provides the best chance for achieving CONSISTENCY among the billions of computer/device screens that connect to the internet all over the world””most of which are completely un-calibrated. Herein lies the ultimate joke on designers: we fight and fuss over the smallest details””and yet, to present our work on the web, we wind up having to use the “lowest common denominator”

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